Design. The Whole Story
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Залишилось:
| Автор | Elizabeth Wilhide |
|---|---|
| Видавництво | Thames & Hudson Ltd |
| Рік видання | 2022 |
| Мова | Англійська |
| Кількість сторінок | 576 |
| Обкладинка | Тверда |
| Вага | 1.681 |
| ISBN | 9780500296875 |
| Формат | 172x245x38мм |
| Серія книг | The Whole Story |
| Тип | Паперова книга |
| Наявність ілюстрацій | Так |
| Перекладна | Ні |
Анотація "Design. The Whole Story", Elizabeth Wilhide
A revised edition of this popular history of design, updated to reflect innovations since the book’s first publication in 2016.
Design: The Whole Story takes a close look at the key developments, movements and practitioners of design around the world, from the beginnings of industrial manufacturing to the present day. Organized chronologically, it locates design within its technological, cultural, economic, aesthetic and theoretical contexts.
From the high-minded moralists of the 19th century to the radical thinkers of modernism – and from the emergence of showmen such as Raymond Loewy in the 1930s to today’s superstars such as Philippe Starck – the book provides in-depth coverage of a subject that touches all our lives. Iconic works that mark significant steps forward or that characterize a particular era or approach – such as Marcel Breuer’s Wassily chair of 1925, Eliot Noyes’ corporate identity work for IBM in the 1950s and Matthew Carter’s Verdana typeface, designed to be read on screen – are analysed i
Design: The Whole Story takes a close look at the key developments, movements and practitioners of design around the world, from the beginnings of industrial manufacturing to the present day. Organized chronologically, it locates design within its technological, cultural, economic, aesthetic and theoretical contexts.
From the high-minded moralists of the 19th century to the radical thinkers of modernism – and from the emergence of showmen such as Raymond Loewy in the 1930s to today’s superstars such as Philippe Starck – the book provides in-depth coverage of a subject that touches all our lives. Iconic works that mark significant steps forward or that characterize a particular era or approach – such as Marcel Breuer’s Wassily chair of 1925, Eliot Noyes’ corporate identity work for IBM in the 1950s and Matthew Carter’s Verdana typeface, designed to be read on screen – are analysed i
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