The Fantastic Worlds of Frank Frazetta
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| Автор | Dan Nadel, Zak Smith |
|---|---|
| Видавництво | Taschen |
| Рік видання | 2024 |
| Мова | Англійська |
| Кількість сторінок | 480 |
| Обкладинка | Тверда |
| Вага | 1.041 |
| ISBN | 9783836597951 |
| Формат | 156x217x32мм |
| Серія книг | 40th Edition |
| Тип | Паперова книга |
| Наявність ілюстрацій | Так |
| Перекладна | Ні |
Анотація "The Fantastic Worlds of Frank Frazetta", Dan Nadel, Zak Smith
Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death.
With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent.
He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16.
Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded.
In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing.
With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent.
He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16.
Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded.
In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing.
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