Rembrandt. The Paintings
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| Автор | Marieke de Winkel, Rudie van Leeuwen, Volker Manuth |
|---|---|
| Видавництво | Taschen |
| Рік видання | 2026 |
| Мова | Англійська |
| Кількість сторінок | 512 |
| Обкладинка | Тверда |
| Вага | 1.117 |
| ISBN | 9783836591751 |
| Формат | 156x217xмм |
| Серія книг | 45th Edition |
| Тип | Паперова книга |
| Наявність ілюстрацій | Так |
| Перекладна | Ні |
Анотація "Rembrandt. The Paintings", Marieke de Winkel, Rudie van Leeuwen, Volker Manuth
Rembrandt's painted oeuvre.
He was the most sought-after painter in the prosperous trading city of Amsterdam yet died completely impoverished. Though he never left his homeland, Rembrandt Harmensz. van Rijn's (1606–1669) work extends far beyond the confines of his personal experience, constituting some of the most effective and multifaceted works in art history, forever engraved on the collective memory – The Night Watch, epitomizing the flowering of Dutch urban culture in the 17th century, or Self-Portrait as Zeuxis, which remains enigmatic to this day.
As an artist of the Dutch Golden Age, Rembrandt's interest was in human passions. Bible scenes such as Bathsheba with King David’s Letter (1654) also highlight the subjects’ vulnerability, going far beyond what had previously been depicted in painting. Rembrandt also left behind a large number of self-portraits – no other artist of the time portrayed himself so frequently, thus documenting his own development from youth to old age.
He was the most sought-after painter in the prosperous trading city of Amsterdam yet died completely impoverished. Though he never left his homeland, Rembrandt Harmensz. van Rijn's (1606–1669) work extends far beyond the confines of his personal experience, constituting some of the most effective and multifaceted works in art history, forever engraved on the collective memory – The Night Watch, epitomizing the flowering of Dutch urban culture in the 17th century, or Self-Portrait as Zeuxis, which remains enigmatic to this day.
As an artist of the Dutch Golden Age, Rembrandt's interest was in human passions. Bible scenes such as Bathsheba with King David’s Letter (1654) also highlight the subjects’ vulnerability, going far beyond what had previously been depicted in painting. Rembrandt also left behind a large number of self-portraits – no other artist of the time portrayed himself so frequently, thus documenting his own development from youth to old age.
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