Сертифікати Impressionism (Art Essentials)
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| Автор | Ralph Skea |
|---|---|
| Видавництво | Thames & Hudson Ltd |
| Рік видання | 2019 |
| Мова | Англійська |
| Кількість сторінок | 176 |
| Обкладинка | М'яка |
| Вага | 0.404 |
| ISBN | 9780500294369 |
| Формат | 138x216x17мм |
| Серія книг | Art Essentials |
| Тип | Паперова книга |
| Наявність ілюстрацій | Так |
| Перекладна | Ні |
Анотація "Impressionism (Art Essentials)", Ralph Skea
An introduction to the impressionist movement, highlighting the great artists, their masterpieces, and impressionism’s enduring influence.
It is often forgotten just how provocative and unsettling impressionist canvases seemed when they were first exhibited in 1874. Critics, professional artists, and gallery visitors alike were shocked to encounter the unorthodox paintings on display, with their seemingly unfinished surfaces and lack of any elements of traditional composition. The advocates of this new approach rejected nearly all the established principles and practices of oil painting prevalent at that time in France.
Tracing the origins and history of impressionism in a concise, introductory volume, Ralph Skea highlights the major differences between the new techniques and aesthetic principles of the impressionists and the academic art they abhorred, and goes a step further in exploring the original intellectual focus of the movement.
It is often forgotten just how provocative and unsettling impressionist canvases seemed when they were first exhibited in 1874. Critics, professional artists, and gallery visitors alike were shocked to encounter the unorthodox paintings on display, with their seemingly unfinished surfaces and lack of any elements of traditional composition. The advocates of this new approach rejected nearly all the established principles and practices of oil painting prevalent at that time in France.
Tracing the origins and history of impressionism in a concise, introductory volume, Ralph Skea highlights the major differences between the new techniques and aesthetic principles of the impressionists and the academic art they abhorred, and goes a step further in exploring the original intellectual focus of the movement.
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