JR
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| Автор | Janis Mink |
|---|---|
| Видавництво | Taschen |
| Рік видання | 2026 |
| Мова | Англійська |
| Кількість сторінок | 96 |
| Обкладинка | Тверда |
| Вага | 0.571 |
| ISBN | 9783754407271 |
| Формат | 210x260x13мм |
| Серія книг | Basic Art |
| Тип | Паперова книга |
| Наявність ілюстрацій | Так |
| Перекладна | Ні |
Анотація "JR", Janis Mink
Featuring the iconic French photograffeur’s major works.
Trace JR’s evolution from his Parisian origins, tagging rooftops and subway cars, to his emergence as an artist of extraordinary scale. The tag is a declaration of presence, and JR never leaves that impulse behind. Instead, he expands it, turning city bridges, favelas, and prison exercise yards into canvases for collective visibility.
His lineage runs from William Hogarth and Eugène Delacroix through Francisco Goya to Diego Rivera. Public portraiture is reimagined for the 21st century with works that embrace but also reject digital artifice. In an age of Photoshop and AI, his materials—paper, paste, human collaboration—are resolutely real. There’s illusion, but only in his epic trompe l’œils.
From Paris to global conflict zones, he moves toward tension, not away from it. Projects like Face 2 Face collapse political distance via paired portraits, while his vast Chronicles transform communities into panoramic peoplescapes.
Trace JR’s evolution from his Parisian origins, tagging rooftops and subway cars, to his emergence as an artist of extraordinary scale. The tag is a declaration of presence, and JR never leaves that impulse behind. Instead, he expands it, turning city bridges, favelas, and prison exercise yards into canvases for collective visibility.
His lineage runs from William Hogarth and Eugène Delacroix through Francisco Goya to Diego Rivera. Public portraiture is reimagined for the 21st century with works that embrace but also reject digital artifice. In an age of Photoshop and AI, his materials—paper, paste, human collaboration—are resolutely real. There’s illusion, but only in his epic trompe l’œils.
From Paris to global conflict zones, he moves toward tension, not away from it. Projects like Face 2 Face collapse political distance via paired portraits, while his vast Chronicles transform communities into panoramic peoplescapes.
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